Performing the Sea: Fortune, Risk, and Audience Engagement in Pericles | Renaissance Drama: Vol 48, No 1
Estetica del performativo - Carocci editore
The Routledge Companion to Scenography 9781138917804, 9781315688817 - DOKUMEN.PUB
The chair leg and the stadium: László Bagossy's Shakespeares at Örkény Theatre, Budapest - Gabriella Reuss, 2018
Untitled
DEJINY DRÁMY. EPOCHY IDENTITY V DIVADLE OD ANTIKY PO SÚČASNOSŤ | Divadelný ústav
Dossier orpheus stomped in dirt (2010)
Dossier orpheus stomped in dirt (2010)
The Theatre Journal Auto / Archive: Erika Fischer-Lichte
Teatr i teatrologia. Podstawowe pytania - Erika Fischer-Lichte - Prospero - Księgarnia Instytutu Teatralnego
Rebríček kníh | Divadelný ústav
The Theatre Journal Auto / Archive: Erika Fischer-Lichte
Ending and Excess | TDR | Cambridge Core
Dossier orpheus stomped in dirt (2010)
Divadelný ústav - Zuzana Vajdičková, prekladateľka: "V... | Facebook
The chair leg and the stadium: László Bagossy's Shakespeares at Örkény Theatre, Budapest - Gabriella Reuss, 2018
PDF) Remember thee?: Post-war Memory and Guilt in Peter Piotr Lachmann's Theatre Production „Hamlet from Gliwice” | Aneta Mancewicz - Academia.edu
The Theatre Journal Auto / Archive: Erike Fischer-Lichte
Shakespeare and the Force of Modern Performance
Ending and Excess | TDR | Cambridge Core
Dossier orpheus stomped in dirt (2010)
4 Liveness on Stage
